NY Virtuoso Singers: American Invention
The New York Virtuoso Singers conducted by Harold Rosenbaum will present a special concert, "American Invention," featuring American choral music from the 18th century to today. The concert will comprise a wide range of American works including World and New York Premieres by composers including Pultizer Prize winners Tania León ("Rezos") and Anthony Davis ("Great Lights"). There will also be World Premieres by Peter Zummo ("Blue Headlights"), Elena Ruehr ("In Time of Silver Rain"), and William McClelland ("Hail Lovely and Pure"), and a New York Premiere by David Patterson ("The Opossum"). Music by other outstanding living American composers, including Annea Lockwood, Jessie Montgomery, Mari Esabel Valverde, Nancy Wertsch, and Edie Hill, will be presented, as well as 18th, 19th, and 20th-century choral works by William Billings, Lowell Mason, Charles Ives and Milton Babbitt.
The program will embrace the inventive and adventurous spirit that has been part of American music's DNA since William Billings, the country's first great native-born composer, published his first collection, "The New-England Psalm-Singer," in 1770. This spirit infused the pioneering work of Charles Ives, one of the towering figures of 20th-century music, the innovations in electronic and serial music by Milton Babbitt, and the musical explorations by many of the contemporary composers on this program. At the same time, the works do not sacrifice feeling and beauty for mere originality, and there are many moving, joyful and uplifting compositions that will be performed. It is a concert not to be missed.
2023 First Commission Award
DORIAN TABB
Hymn for a Forgotten People (2023)
Bergamot Quartet
Ledah Finck and Sarah Thomas, violins
Amy Tan, viola
Irène Han, cello
Dorian Tabb (b. 2010) began his piano studies at age four and started composing one year later. A frequent performer of his own compositions and improvisations, in 2020 he was the youngest composer to be featured on "Tokyo to New York: Moments in Time," Thomas Piercy's benefit concert for Covid-19 musicians' relief, with his solo clarinet work, "Exploration," which later received its live premiere at Bargemusic. He currently studies piano with Lora Tchekoratova, conducting with Scott Wiley and is enrolled in the Very Young Composers "Bridge" program at the New York Philharmonic. Previous teachers have included Marc Peloquin, Avner Arad and Max Grafe at the Lucy Moses School. His quintet, The Journey Home, was premiered at David Geffen Hall in Oct. 2022.
Dorian's mentor for this commission is composer and violinist Tamar Muskal. Her music harmonizes the unique cultural aspects of both places in a counterpoint style, carefully structured and with great attention to detail. Recent and future commissions include a double concerto for saxophone and viola for the Williamsport Symphony, a work for percussionist Steve Schick and a digital/interactive sculpture by Daniel Rozin, music for a 50-minute film for the historic, silent, black and white film about the Mexican revolution, a song cycle commissioned by ASCAP and music for a documentary film about finding a cure for blindness (narrated by Robert Redford). Her piece Yellow Wind (2007) was nominated for a Pulitzer Prize.
Announcing 2023 Visionary Award Recipients
Announcing the 2022-2023 Second Stage Composers and Mentors
Alisha Heng & Jane Ira Bloom
composer: Alisha Heng
compositional goal: a work that expands her jazz vocabulary -- likely jazz fusion or free jazz with improvisation
Alisha Heng (she/her) is a composer and filmmaker based in NYC. Her compositions have been performed across Europe and the USA by performers and ensembles including Christopher Herbert, International Contemporary Ensemble, members of the Juilliard Pre-College, and Barbora Kolářová. Through her work, Alisha explores the relationship between art and music, music as the means of creating the world we see before ourselves every day, and the balance between sound, silence, motion, and clarity. Her passion for composing comes from both instrumental study and a fascination to create works that provoke the mind. Alisha currently studies Composition under Kevin Puts at the Peabody Institute of Johns Hopkins University as well as Applied Mathematics and Statistics. She also studies clarinet privately. A U.S. Presidential Scholar semifinalist, Alisha was a 2020-2021 Luna Lab Fellow, a 2021 National YoungArts Foundation Finalist, and an Adobe x Sundance Fellowship Finalist. When she isn't composing she enjoys reading, investing, and volunteering at the National Archives.
Mentor: Jane Ira Bloom
Jane Ira Bloom, composer/soprano saxophonist, has been developing her unique voice on the soprano saxophone for over 40 years. She is a pioneer in the use of live electronics and movement in jazz. Winner of the Guggenheim Fellowship for music composition, the Downbeat International Critics Poll & Jazz Journalists Association Award for soprano saxophone, the Mary Lou Williams Award for lifetime service to jazz and the Charlie Parker Fellowship for jazz innovation. She is the first musician ever commissioned by the NASA Art Program and has an asteroid named in her honor by the International Astronomical Union (asteroid: 6083janeirabloom). Her critically acclaimed CD "Early Americans" received a Grammy Award for Best Surround Sound Album and made numerous year-end best lists. Her most recent digital release of duets, "Picturing the Invisible - Focus 1" featuring drummer Allison Miller, koto artist Miya Masaoka, and bassist Mark Helias received a 2023 Grammy nomination for Best Immersive Audio Album. Her critically acclaimed duo projects "Tues Days" with drummer Allison Miller, "See Our Way" with Helias, and trio project "2.3.23 Bloom/Helias/Previte" appear on Bandcamp. JIB finds inspiration in creating exploratory music with improvising musicians around the world and has participated in several international 'remote' events including a performance at the United Nations that linked improvising musicians in Korea, China, New York, and San Diego. Bloom is a professor at the New School's College of the Performing Arts, School of Jazz and Contemporary Music in NYC.
Jane Meenaghan & Mari Kimura
composer: Jane Meenaghan
compositional goal: a work that expands her creative horizons, bridges her background and cultural influences and explores self-controlled electronics
Jane Meenaghan (she/her) (age 22) is a composer, vocalist, and songwriter who frequently explores spiritual philosophy and states of consciousness through works that incorporate electronics and theatrical elements. Under the tutelage of Andrew Norman, Jane studies theology and music composition at Columbia and Juilliard respectively as a dual-degree student. A recipient of multiple ASCAP and BMI awards as well as the highest honor from National YoungArts, Jane has worked with ensembles and venues including Los Angeles Philharmonic, International Contemporary Ensemble, Seattle Symphony, Lyris Quartet, HOCKET, and members of New World Symphony, Houston Symphony, and Orlando Philharmonic. She is also an alumnus of Luna Lab, Hear Now Festival, National Young Composers Challenge, and NextNotes Awards. Most recently, Jane is preparing for a Carnegie Hall debut with American Composers Orchestra and collaborations with Bergamot Quartet.
mentor: Mari Kimura
Mari Kimura is at the forefront of violinists who are extending the technical and expressive capabilities of the instrument. As a composer, performer, researcher, and entrepreneur, she has opened up new sonic worlds and new musical possibilities for the violin. Notably, she has mastered the production of pitches that sound up to an octave below the violin's lowest string without re-tuning. This technique, which she calls Subharmonics, has earned Mari considerable renown in the concert music world and beyond. She is also a pioneer in the field of interactive computer music. At the same time, she has earned international acclaim as a soloist and recitalist in both standard and contemporary repertoire. Her most recent efforts involve entrepreneurship, bringing her prototype motion sensor MUGIC™, (pronounced "mu" as in music +"gic" as in magic) to the market.
Azalea Twining & Erica Lindsay
composer: Azalea Twining
compositional goal: writing for a group of 'same instruments', likely four saxophones
Azalea Twining (she/her) is a seventeen-year-old composer, vocalist, guitarist, and songwriter. As a 2020-2021 fellow of Luna Composition Lab, Azalea studied composition with Ellen Reid and composed Under Her Voices for piano trio, which was the winner of the 2021 G. Schirmer for Luna Lab Prize. Azalea's most recent and current projects include "Echo" for solo flute commissioned by Intersection, a song cycle set to the poetry of the Brontë sisters, and Evelyn/Evelyn, a dance opera created and performed by her family, Ensemble InterTwining. She also composes and performs original work for voice, string quartet, prepared piano, and more through her school's Fine Arts Academy. Azalea has been studying voice with Eileen Clark since 2014. An alumnus of the WNO Opera Institute, Eastman Summer Classical Studies programs, and NYU MPAP Summer Classical Voice Intensive, Azalea has a passion for art song and arias. More recently, she has fostered a love for performing small vocal ensemble music- both early and experimental. She hopes to one day compose and sing in her own experimental operas. Azalea will be attending Columbia University as a music major in Fall 2023.
mentor: Erica Lindsay
Erica Lindsay, composer and tenor saxophonist, is an Artist-in-Residence at Bard College where she teaches jazz composition and improvisation. She has toured and appeared in the U.S. with jazz legends including Dizzy Gillespie and Melba Liston and has made guest appearances with Frank Zappa and Art Blakey's Jazz Messengers. She has performed and recorded with Baikida Carroll, Oliver Lake, Howard Johnson and many others, as well as leading her own quintet. Inspired by her work as a jazz improviser, Lindsay attended the first ever Jazz Composers Orchestra Institute, leading to writing orchestral works for the American Composers Orchestra and the Detroit Symphony and several smaller works for the da Capo Chamber Players. She has also written musical scores for two Off-Broadway plays, the television series Tales from the Darkside, and collaborated with choreographers. She was recently commissioned to compose a Chamber Music America New Jazz Works, entitled, Meditations on Transformation, for the composer collective, Alchemy Sound Project. Her recent recordings include Initiation, a collaboration with Sumi Tonooka, Live in London, with the Jeff Siegel Quartet and from Alchemy Sound Project, three new CD's; Further Explorations, Adventures in Time and Space and Afrika Love.